| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Above the Tumults of a Busy State | Henry Purcell, composer | D minor | Z.480 | 1683 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Alas, How Barbarous We Are | Henry Purcell, composer | A minor | Z.482 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Come, Dear Companions of th' Arcadian Fields | Henry Purcell, composer | C major | Z.483 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Come, Lay by All Care (Adieu to His Mistress) | Henry Purcell, composer | F major | Z.484 | 1685 | soprano, bass and continuo tenor, bass and continuo soprano and bass tenor and bass |
Baroque | Songs | ||
| Dulcibella, Whene'er I Sue for a Kiss | Henry Purcell, composer | D minor | Z.485 | 1694 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Fair Cloe, My Breast So Alarms | Henry Purcell, composer | Z.486 | 1692 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Fill the Bowl with Rosy Wine | Henry Purcell, composer | C major | Z.487 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Go Tell Amynta, Gentle Swain | Henry Purcell, composer | E minor | Z.489 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Here's to Thee, Dick | Henry Purcell, composer | G major | Z.493 | 1688 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| How Great Are the Blessings (A Health to King James II) | Henry Purcell, composer | Z.494 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| How Sweet Is the Air and Refreshing | Henry Purcell, composer | G major | Z.495 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| I Saw Fair Cloris All Alone | Henry Purcell, composer | A minor | Z.498 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| I Some Kind Dream | Henry Purcell, composer | D minor | Z.497 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| I Spy Celia | Henry Purcell, composer | D minor | Z.499 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Julia, Your Unjust Disdain | Henry Purcell, composer | A minor | Z.500 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Let Hector, Achilles and Each Brave Commander | Henry Purcell, composer | C major | Z.501 | 1689 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Lost Is My Quiet Forever | Henry Purcell, composer | C minor | Z.502 | 1691 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Nestor, Who Did to Thrice Man's Age Attain | Henry Purcell, composer | D minor | Z.503 | 1689 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Oft Am I by the Women Told | Henry Purcell, composer | D minor | Z.505 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Saccharissa's Grown Old | Henry Purcell, composer | D minor | Z.507 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Sir Barnaby Whigg (No Wit Like a Woman's) | Henry Purcell, composer | Z.589 | 1681 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Incidental music | |||
| Sylvia, 'Tis True You're Fair | Henry Purcell, composer | C major | Z.512 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Sylvia, Thou Brighter Eye of Night (A Serenading Song) | Henry Purcell, composer | C minor | Z.511 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| The Marriage-Hater Matched | Henry Purcell, composer | Z.602 | 1693 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Incidental music | |||
| There Never Was So Wretched Lover as I | Henry Purcell, composer | Z.513 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||||
| Though My Mistress Be Fair | Henry Purcell, composer | G minor | Z.514 | 1685 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Underneath this Myrtle Shade (The Epicure) | Henry Purcell, composer | Z.516 | 1692 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| When Gay Philander Left the Plain | Henry Purcell, composer | A minor | Z.519 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| When Myra Sings | Henry Purcell, composer | C minor | Z.521 | 1695 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| When Teucer from His Father Fled (Teucer's Voyage) | Henry Purcell, composer | Z.522 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| When, Lovely Phyllis, Thou Art Kind | Henry Purcell, composer | D minor | Z.520 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| While Bolts and Bars My Days Control | Henry Purcell, composer | G minor | Z.523 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs |
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